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ECCG Visits the Giles Norman Gallery, Kinsale – 19/5/15

On Tuesday 19/5/15 a group of ECCG members fulfilled a long-held item on our bucket list when we visited Giles Norman, Ireland’s foremost black and white photographer, at his gallery at 45 Main St, Kinsale, Co. Cork.

REPRO FREE Renowned photographer, Giles Norman, who hosted a reception and signing of his new book 'Ireland ?timeless images' at Hodges Figgis in Dawson Street. Picture. John Allen

Giles, himself, was on hand to show us around the gallery and we were eager to hear about his photography methods and workflow.

Having been heavily influenced by street photographers such as Henri Cartier-Bresson and Robert Doisneau in his early years, he has adopted their style of ‘travelling light’ with just one handheld camera and one lens which is incredible when you scan his gallery and take in the wonderful images he has captured in this way.

He claims to be not concerned with the technicalities of photography so much as the composition of his images preferring instead to concentrate on what he sees through the view finder and capture the decisive moments as they happen.

Hanging in his gallery is this insightful passage:

Perfect Composition

“Every image we see, has its perfect composition and the closer we get to that the better the photograph. It’s the difference between a bad photograph and a good one, a good photograph and a great one. It’s the fundamental being of both landscape and street photography, the one thing you must learn, the one thing your camera can’t do for you. My advice to any aspiring photographer is to concentrate on composition and let your camera do the rest. Most cameras have an automatic program mode, find it, use it, trust it. Don’t look at your camera, look through it, because while you are looking at it, moving dials and changing buttons, the clouds have moved, the light on the sea has disappeared, the couple kissing are now talking, the photograph is less than it could have been, the image has lost it’s perfect composition”.

 – Giles Norman

Often times we are guilty of getting caught up in the ‘gear’ that goes with photography, mistakenly thinking that it is essential in getting THE shot. Not so and Giles is living proof of this fact.

giles norman group

Giles’s first publication with Collins Press, a book entitled ‘Ireland Timeless Images’, was published to coincide with his 25th year in business and he is currently working on his next book, a collection of images of Ireland’s Wild Atlantic Way.

Many thanks to Giles and his wife, Catherine, for hosting ECCG at the gallery.

Click here to visit Giles’s websiteGiles on Facebook. Giles on Twitter.

 

Sunset/Lightpainting at Saleen – 16/5/15

Sunset-Lightpainting - James Brady-1

On Saturday evening 16/5/15, seven East Cork Camera Group members gathered for our weekly shoot, to explore the shorelines of Saleen and Lower Aghada for what turned out to be a very pleasant evening.

We began by setting off through Saleen woods, and set up for a sunset shoot on the northern shore. One particular item of interest in the picturesque scenery is a prehistoric tomb – Cromleach, or Dolmen called “Carriga Mhaistin”, claimed by some to be the origin of the name Rostellan. Ros (headland), and dallan, or Dolmen. The Dolmen itself is approximately one thousand years old. With the sun low in the sky, some cloud cover and a low tide, some very striking images were captured.

Once the sun had set behind the headland, we made our way to Aghada GAA Club’s grounds for our next venture, a light painting and off-camera flash workshop. Our subject for this shoot was a Folly Tower on the coastline facing Whitegate. This round tower, known as Siddon’s Tower, was erected in 1727, and proved to be a very interesting feature for light painting.

With tripods and torches at the ready, we set about taking long exposures of the structure whilst adding creative touches of artificial light via torches, flashguns with coloured gels, and even green lasers. The creative juices were flowing and some brilliant images were captured, which can be seen in the gallery. Well done to all involved.

– James Brady

Click here to check out the Gallery.

Guest Speaker – Aerial Photographer, Dennis Horgan

dhorgan1The East Cork Camera Group welcomed Cork-based, professional aerial photographer, Dennis Horgan, to speak at our recent meeting at the Midleton Park Hotel.

Dennis, a former auctioneer, developed an interest in and a passion for photography and aviation as a teenager when he was given his first camera at the age of 18 so it wasn’t a surprise that he eventually combined both into a very successful career.

Much in demand, Dennis’s client list features Savills, Port of Cork Company, DTZ Sherry Fitzgerald, Bon Secours Healthcare System, Park Hotel Kenmare, Irish and European Ltd., Dromquinna Manor, PT Technologies Ltd., The Old Head Golf Links, Dunmore House Hotel & DAA Cork Airport, to name a few.

CTVFA-flyerHe has recently published his first book ‘Cork – The View From Above’ which combines many of the photos he had taken of the county from the air over the years in over 256 pages. The book, which is a photographer’s feast, has a forward by Jeremy Irons and you can read the Irish Times review of the book here.

Dennis presented a slideshow of aerial imagery depicting a fascinating visual record of Ireland’s most iconic landscapes, buildings and countryside including fields of baled straw awaiting collection, ancient castles and monastic sites, colourful cottages in seaside villages, urban sprawl and industry, as well as rugged coastal scenes and images of the Rivers Lee and Blackwater. All of the images were either taken from a helicopter or fixed wing aircraft. Dennis recounted his time spent in the skies, shooting through open doors while at the same time trying to keep the camera stable and waiting for the light to be just right before taking a shot.

dhorgan3Dennis is clearly very passionate about photography and aviation and his book epitomises that passion in addition to his love for Ireland’s natural landscape. After his presentation, Dennis kindly signed copies of his book for ECCG members.

ECCG wishes to thank Dennis for sharing his work and experience with us and we look forward to his next book which, we hear, may be in the works.

See more of Dennis’s work on his website, www.dennishorgan.ie.

dhorgan2

– Noelle Lowney

Blackwater – Western Shores Shoot – 26/14/15

Finbarr OShea Blackwater Shoot 26-04-15-5

On Sunday last, we gathered at Youghal Bridge, Rhincrew area where the Blackwater empties into the sea. The western shore of this famous river was to be our project for day. We would explore the castles, bridges and woods of this ‘Irish Rhine’  from Youghal to Cappoquin, famous for it’s salmon fishing.

The river itself rises in the Mullaghareirk mountains in county Kerry at 750 feet above sea level and travels for 105 miles, firstly in an easterly direction. That’s an average fall of  7 feet in every mile! Then at Cappoquin, it takes a ninety degree turn southwards to Youghal. It passes through Rathmore, Mallow, Fermoy, Lismore and Cappoquin. In years gone by, it was used to transport coal from Wales and the schooners would take timber on the return journey. Much of the river is tidal, so the ships would unload and reload while sitting on mud, then wait for the high tide to sail again. Some might take half a load in Cappoquin and fill it up, downstream in deeper waters.

James Brady Blackwater Shoot 26-04-15-2Our first stop was Templemichael. Here, we visited the ruin of a 14th century Geraldine castle where Walter Raleigh often stayed. There are the remains of a lovely spiral staircase there, with many limestone steps still in place. Here we met a local man, who filled us in on the history and stories of the area.

Alongside the castle is a church. This was lent to Catholics while the nearby Glendine church was being renovated. After that, it fell into a state of disrepair. We crossed a small tributary, The Toorig, and stopped briefly at the quaint Glendine church.

Jim Curtin Blackwater 26-04-15-4Onwards to Ballynatray Estate where, by kind permission, we visited Molana Abbey which was founded in 501AD. It is rumoured that leader of the Normans, Raymond Le Gros, is buried here!

From here, we enjoyed the wonderful Ballynatray House a bright yellow hue against the green hill behind, which is available for weddings and other events. It has its own boat house and salmon weir.

Next, was old Strancally Castle and then new Strancally Castle 1834 and Keep. After that, the road climbed and we had spectacular views of the river. Next, we crossed ‘The Bride’ using ‘Camphire Bridge’.The Bride is the main tributary and is navigable for 7 miles. Here, we got some nice shots of the stacks of reeds by the riverside being dried, ready for thatching.

We photographed Dromana House, high above the Backwater where the Bride joins in. Here, it is said, the old lady, Countess of Desmond lived to 112 years when she fell off a tree and died tragically.

Kevin Day - Blackwater-18Finally, we arrived in Cappoquin, as planned in time for our sunset and we were not disappointed. Some of us went down to the slip at the rowing club where we had the choice of shooting west along the river, towards the the 6 arch road bridge or south towards the long since decommissioned 5 arch railway viaduct with steel spans.

It turned into a spectacular sunset. Some of the members went on to Lismore and got great shots there also.

See our gallery from the shoot here. Enjoy!

– Kevin Day

 

How I Took That Shot – James Brady

James Brady took first place in Grade C in our third internal competition of the year recently. The theme was ‘Night’ and this is how he made the image:

James Brady - Night Competition

Having thought about taking a shot like this for some time, the opportunity arose upon hearing about the night themed internal competition to get stuck in. With tripod firmly secured in the rear of my car, I set my camera to manual focus, locked on the dashboard. With the lens at its widest focal length, I dialled in my settings and hit the road.

Having spent a few evenings of trial and error, I eventually decided that St Patrick’s street in the city had the most to offer regarding light and colour to achieve the results I wanted. After many loops of the same area with camera and radio triggers hard at work, I finally struck gold with an image with very little camera shake.

The image was processed with Picasa, involving an increase in saturation and sharpness, and a minor crop to tighten things up. I also blacked out a small section of the rear view mirror to hide myself!

Camera: Nikon D5100, 18-105mm @18mm.
Settings: M, 4s @ f8, ISO 400, centre weighted metering, manual focus.

Well done James.

See also:
How I took that Shot – Finbarr O’Shea
How I took that Shot – Kevin Day
Competition Gallery
Competition Results and 2015 League Table